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Monday 28 February 2011
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ROCKY JAZZ ON THE ROCKS

I take my hat off to Clarence Ford for pulling off this major achievement. Bow. Bow.
I know how difficult this is under normal circumstances, and given your recent personal challenges, the achievement is colossal.

As usual, your ideas are progressive and impressive, the stage was phenomenal and for once I was impressed with the sound quality. (Not 100% but close enough)
Well done bro.

Chubb911

Ok, with the accolades out of the way, I would like to share with you my personal experience at the event. Drum roll..............
I am the first to admit that I am not a camper. I prefer comfort and luxury, but I had made up my mind that I would go there with an open mind, prepared to rough it, and I looked forward to ‘bonding with the universe’ as my Facebook status said on Friday.

In retrospect, I used the wrong word.
I had prepared myself, and was indeed looking forward to ‘bonding with nature.’
I had completely ignored the impact that man – a huge player in the universe - has on nature, the environment, and as such the universe.

As the name implies, this is supposed to be a ‘Jazz’ festival, and I am a firm believer in the ‘it’s jez’ music massa’ definition of the term.
But I knew from the start that Clarence, for two reasons, could not afford to book any artists of substance to perform at the event.
He had limited budget at his disposal, and most South African artists of substance have priced themselves out of the market.

But you could have done much better Clarence. Much better. All it takes is a little mix of understanding, creativity, passion and effort.

With the Department of Environmental Affairs as a co-sponsor and the ‘conservative overlords’ of the Cape Columbine Nature Reserve visibly breathing heavily down his neck, Clarence went to great lengths to adhere to their ‘Too Precious to Pollute’ policy.

But at this event, my personal space, and therefore my experience of the environment and indeed the universe was thoroughly polluted by a string of untalented traders belting out the same cover versions of songs by American artists that I used to perform some thirty-five years ago. Thirty-five years ago these songs could be termed progressive. Today the same songs reek of stagnation.

As a live music event, this was another insult to South African artists, attracting many of your typical local ‘smooth jazz’ junkies.
You know the kind.
Those who see this as another opportunity to imbibe as much alcohol as humanly possible and allow their culture to erupt violently as they concurrently compete with a very impressive Line Array sound system to pollute the airwaves.

This combination so affected my psyche that it was impossible for me to bond with anything.
At the end I felt oppressed and as defeated as the young, injured penguin that was floundering helplessly in the icy shallows of Tietie's Baai on Sunday morning.

But that’s just my experience.
Judging by the comments on Facebook, everyone else thought ‘it was an awesome event’ and they are all looking forward to next year’s Jazz on the Rocks, where a certain pastor has opportunistically threatened to add a day of gospel to further cement and fortify the brainwashing of ‘Our People.’

Save me Pater Noster.

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Kader Khan

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