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Wednesday 22 February 2012
FEATURE BABE GALLERIES

DIE ANTWOORD TO COLLECTIVE BOREDOM

So apparently tickets to all of Die Antwoord’s US shows are sold out, and Australia is waiting in the wings.
But no one buys their records.

The band has decided to go solo and their second album Ten$ion will be released digitally on their very own new imprint Def Recordz.
Personally I think that Interzone released them from their contract because…...... no one buys their records.

Food for Thought
Too hard for Noot vir Noot, not black enough for ETV, Just let me be

So is this a good thing or not.

I think Ninja and Yolandi with her old tits are far more tuned in to the situation than most would think.

Copying already pirated copies is the order of the day and artists are fighting a losing battle if they think making a fortune out of record sales is still possible.

Traditionally, artists depended on record companies to invest megabucks on hype campaigns to make them famous.
Today we have Youtube and the Internet and Die Antwoord’s global marketing campaign was achieved by the click of a button and at no cost.

So if no one is buying their records (would you actually want to listen to this crap?) why are their live performances so popular?

Because a live performance is supposed to be just that.
A performance.

In today’s world of stereotyped formula artists, the market is hungry for fresh shit.
Shit, but fresh.
Not original in any sense of the word – Alice Cooper would be proud of Ninja – but fresh none the less.
Good lord. Is it frozen?

Having said that, Die Antwoord is a classic fuck show.

And the masses are prepared to spend good money to witness a fuck show live on stage.

Shot Ninja and Yolandi with her new tits!

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